Interview with Agent Lindsay Davis Auld

LindsayAuldWritersHouse

Lindsay Davis Auld is an agent at Writers House and is actively building her list. She represents children’s lit, from board books through YA (see here for more details). She taught fourth grade and worked for Harcourt Children’s Books prior to joining Writers House as Steven Malk’s assistant. She calls two countries home and is open to international clients. (And Ben and Jerry, if you’re reading this, please, make her ice cream flavor idea.)

Thank you, Lindsay, for your time!

 

You worked at Writers House with Steven Malk a few years ago and launched several successful books before taking time off to move to England and start your family. Now that you’re agenting again, have you changed how you approach your job, or what you look for in a manuscript? 

Yes, it’s been quite an adventure. In a lot of ways, though, I’d say that, even though I’ve certainly learned a great deal from having children and spending lots of time in bookstores in England, I think I’ll always look for the same qualities in a manuscript: an authentic voice, characters that feel real, a world that fascinates me, and a story I can’t put down. 

What path led you to agenting? Have you always wanted to work in publishing? What would you do if you weren’t agenting? 

After college, I taught fourth grade as a member of Teach for America, and I loved reading with my class and trying to find the right book for each child. It made me realize that I’d like to be a part of bringing children’s and YA books into the world. My first job in publishing was at Harcourt Children’s Books. I then joined Writers House as Steven Malk’s assistant, and eventually began building my own list of authors and artists. Steve has always been an amazing mentor, and I feel incredibly lucky to have learned so much from him, and to have now re-joined Writers House.

I have no idea what I’d be doing if I weren’t agenting. Something to do with stories, I would imagine, as I tend to seek out libraries and bookstores wherever I am, just because I like to be around books.

You and I have a similar situation—we sort of live between two countries. Do you work both in the US and in England? Are you open to international clients?   Continue reading

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Interview with Agent Hannah Mann

 

hm headshot croppedHannah Mann is a junior agent at Writers House. She is open to submissions and is seeking clients in children’s lit through YA. In picture books, Hannah is drawn to ‘artful, human, and/or humorous picture books that are driven by expressive characters.’ She prefers art ‘with something fresh going on (or that pays homage to a classic with its own modern layering).’ For more details on Hannah’s preferences, please visit her Publishers Marketplace profile

Thank you, Hannah!

 

 

You interned at Writers House in NYC before moving to intern with Steven Malk in San Diego (I sort of feel like I need to whisper his name, like ‘He-Who-Must-Not-Be-Named,’ but in a good way). How did you get that all started? Are your NYC friends jealous of your San Diego winters?

That’s very funny, but I agree—Steven Malk is a total legend, and I’m grateful everyday that I’ve gotten to learn from the best. It’s a long story, but I applied for the job with him before interning, and ended up landing it after interning. I needed a little publishing experience, and I’m so glad I got to be in the New York office for a little while—I really feel like it’s informed my sense of pride in the Writers House ethos and reputation, and it’s great to have faces and real connection with the people I’m emailing all day!

Did you always know you wanted to work in publishing or with books in some capacity? When did you figure that out? What job would you snatch up if publishing jobs weren’t an option?

I think, like a lot of people, it probably started with wanting to be a writer. The publishing industry can be mysterious before actually being in it, so I think a lot of people’s first thought is, “okay, I love books, so I’ll write them!” The truth is that so much goes into every single book, and there are also so many books! Once I started to realize that, I thought I might want to be an editor, but when I discovered agency, and its intersection of creativity with business, I knew it was what I wanted to do. I love being behind the scenes and advocating for creators. If I weren’t in publishing, I think I’d want to be in medicine—not that I could do it! I’m just fascinated by biology and love people. Continue reading