Interview with Agent James McGowan

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James McGowan is the Literary Assistant and Social Media Manager at BookEnds Literary, and is open for submissions. He’s looking for adult, YA and picture books (see more details in the links below). James is also a picture book writer and understands the process from both a writer’s and agent’s perspective. He is a Friends aficionado–my name not his–and contributes to the BookEnds’ very fun and informative blog.

Thank you, James, for your time!

 

 

You started out as an intern at BookEnds Literary before becoming a Literary Assistant and Social Media Manager. What led you into publishing in the first place?

Just like anyone in publishing, a love for books. It took me a while to realize that there were people behind the books working to get them on the shelves (it just never clicked), but once I did, I dove right into the application process and eventually landed an internship at BookEnds.

You’ve done some informative interviews with Jessica Faust on BookEnds’ YouTube channel. Do you have a favorite?

Ha! I actually don’t have a favorite, though Jessica’s rants are always hilarious to me. I will say that they’re a blast to film. Jessica and I have a lot of hilarious false starts that we edit out, which usually end in someone hysterically laughing. And then things click, we put on our quasi-serious faces, and we film our video. We hope they’re both informative and fun, and if anyone reading this has suggestions on what we might talk about, please get in touch!

https://www.youtube.com/channel/UCukLkiCzvK6AIMnYIDqxUug

You have a pretty eclectic mix of what you are looking for: Adult, YA and then a big drop down in age to picture books. Why specifically picture books at the exclusion of most other kidlit?

This is a great question! I recognize that looking for only picture books at this time is a bit unorthodox for a kidlit agent, but as a picture book writer myself, they’re something I am drawn to. I don’t have that same connection to Middle Grade, and I don’t feel I’d be the best champion for those kinds of books. Continue reading

Interview with Agent Natascha Morris Part 2

NMorris320x400IMG_20161127_103045-240x300Natascha is a former editor turned agent for Tobias Literary Agency. I first interviewed Natascha just over a year ago when she was getting started in her new career. With a year-plus behind her, I’ve been dying for an update. Luckily, she agreed to a second interview. 

Thank you, Natascha!

You recently hit your year-mark as an agent. What has been the biggest surprise for you from the agenting side of the industry?

There have been two really big surprises. The first is the amazing talent I have found, and the connections I have made. I had some idea when going in, but it is just amazing how far I have come. The second was how much grit it takes to be on this side of the desk. Agents take those punches alongside their clients, and we do it for everyone. Being an agent teaches you about yourself.  

 I imagine you’ve built up a solid client list by now. Are you still seeking clients?

Always seeking new clients, but out of necessity, I am getting pickier. When I first started, I had loads of time to pour into a client. Now, I have to weigh that against the time for 24 other talented people. It’s not just one book per author, it’s multiple books per author.

What would you say is the split between the categories you represent? How many are PB writers, MG, illustrators, etc.? Continue reading

Interview with Agent Jenna Pocius

 

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Jenna Pocius is a new agent at Red Fox Literary. Prior to Red Fox, she worked as an editor at little bee books, and prior to little bee, she worked as an assistant editor at Bloomsbury USA. While at little bee, Jenna acquired board books through YA and will still be seeking manuscripts for all categories of kidlit. Jenna is open to submissions until August 10, 2017.

Thank you, Jenna!

 

I think it’s safe to say that most writers dream of publishing with the Big 5, but you were an editor at little bee books, a successful and well-respected small press. What are the advantages for authors and illustrators in working with a small press? 

I think in the end it’s really about the connection between an author or illustrator and an editor and his or her publishing team, but with a small press there can be more opportunity for a title to stand out on a list because there isn’t the same volume of books being published. With little bee it was a very unique opportunity because not only were we growing our list in terms of title count, but we were also starting from scratch and thus some of the themes and topics that other publishers were oversaturated with, we had an opportunity to find really stellar projects and establish ourselves in those categories.

You’re very clear in your bio that you like dogs. Do you have a dog of your own? What draws you to dogs in picture books? 

I’ve always loved dogs and dog stories. There’s something about the loyalty and love inherent in dogs that I can’t help but gravitate toward, and those are also two qualities and themes that make great characters and story foundations. For me, there’s really nothing better than stories that capture the unique bond between child and dog. I don’t have my own dog yet, but it’s in the works! 

Do you have a favorite breed of dog? (I’m a bit partial to ridgebacks, but we currently have a rescue dog that’s a mix of something unknown, and he’s a sweetie.) Continue reading