Welcome to New Subscribers Plus Resources for All

First, a big thank you to all those who opted into my newsletter through the Let’s Go!: A Kids Comics Studio Anthology. And a thank you to those of you who’ve been following me for a while.

This isn’t the post I intended to write, but I have two time sensitive opportunities I wanted to share.

The first is for kidlit graphic novel creators, or those who want to create graphic novels, or even anyone interested in marketing tips. Literary agent Janna Morishima is hosting a free masterclass tomorrow titled “How to Launch Your Graphic Novel” and today (Sept. 26) is the last day to sign up. Even if you miss this, she will be holding a in-depth course on the same topic, so follow her site for details. (Update, you can now access the full course at: https://kidscomicsunite.com/how-to-launch-your-graphic-novel/)

Art by Jade Vaughan for Kids Comics Unite

Second: The KidLitGN pitch event opens to agents, editors, and publishers in five days (Oct. 1). However, unagented and agented creators who have comics-style picture books, early/chapter, middle grade, or YA graphic novel projects can begin loading their pitches as soon as Sept. 28 at 8 a.m. The pitch window closes at 11:59 p.m. on Oct. 1.

Most of my original followers came from my picture book connections, so I want highlight the opportunity to pitch comics-style picture books (listed as Graphic PBs on the website) in the KidLitGN pitch event (think picture books with sequential art like Mr. Particular or Toys in Space).

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Advice from Agent Janna Morishima

Happy New Year! What a better way to start it than hearing from graphic novel industry pro Janna Morishima on why she’s supporting a group of Kids Comics Studio members who are crowdfunding a middle grade graphic novel anthology. Parts one and two of the interview are broken into two articles on the #Kids Comics Studio Anthology Blog. Here’s a quote from part one:

MRK: I’ve been thinking about how you take such an interest in developing creators. What motivated you—as an agent— to decide to do a project to gather KCU Studio authors and artists to go down the self publishing route as opposed to something traditional?

JM: That’s a great question. I’m super excited to be working on a self-publishing project because although I think that traditional publishing is a valid way to go, it is getting increasingly competitive. It’s always been competitive but now it’s gotten even more competitive.

There are people whose work doesn’t fit into certain slots that the traditional publishing industry is looking for. Even if their work might eventually fit into traditional publishing, I think self-publishing is such an amazing way for people to get started and get their work out there! I am so excited to be giving it a try with everybody putting together this anthology.

I’m learning as much as everybody else is. I have a background that is very helpful I think because I know the whole traditional publishing process. There are a lot of parallels between traditional and self-publishing.

Part two is equally fascinating and shows a little cameo of Janna in an interview about the origins of Jeff Smith’s Bone graphic novels, which she worked on. You can see the full video here: https://www.youtube.com/watch?v=fXSBUX6GPsA

I hope you all have a great 2025!

To read all of first part of the interview between Maritza Ruiz-Kim and Janna, see here: https://kidscomicsunite.com/planting-seeds-for-a-comics-anthology-an-interview-with-kcu-founder-janna-morishima-part1/

To read all of part two: https://kidscomicsunite.com/planting-seeds-for-a-kids-comics-anthology-an-interview-with-janna-morishima/

And to subscribe to the KCS Anthology newsletter: https://kidscomicsunite.com/anthology/newsletter/

Three Amazing Opportunities for Graphic Novel Creators

KidLitGN’s pitch event opened last night for loading pitches and this morning for agents, editors, and publishers to view and select pitches. GN creators still have until Oct. 3 at 8 pm EDT to load pitches. And agents, editors, and publishers can view pitches until Oct. 31 at 8 pm EDT.

See kidlitgn.com for details.

Also on KidLitGN’s blog, is a comprehensive Q&A from literary agent Janna Morishima, where she mentions the opportunity to join Kids Comics Studio–the membership part of Kids Comics Unite. The latter is free and open for joining year round. Kids Comics Studio, however, opens for new members at select times of the year (it’s open for a few more weeks) and has a monthly or yearly charge. Kids Comics Studio offers weekly workshops, critique and accountability sessions, networking with other graphic novel creators and a whole host of opportunities you won’t find anywhere else (see here for more details). I’ve been a member of Kids Comics Studio and have benefited from the community’s knowledge in countless ways, one of which leads into the third opportunity…

Some Kids Comics Studio members are putting together an anthology that we will be crowdfunding in April 2025. We’ve been hard at work coming up with a theme, planning our design, marketing, and of course, creating our comics. I’m collaborating with two amazing illustrators on two projects, which I’m hoping to share with you in the months ahead. And, we are rolling out our newsletter, where GN creators and other interested parties can join our journey through this process and learn what we have learned as we’ve collaborated to create this graphic novel. You can sign up for the newsletter at this link: https://bit.ly/kcu-studio-anthology

So there you have it, three opportunities to dive into the graphic novel creator’s world, KidLitGN’s pitch event, Kids Comics Studio, and the Kids Comics Studio Anthology newsletter.

You can access Janna’s amazing article here: https://kidlitgn.com/2024/10/02/what-are-agents-looking-for-a-qa-with-graphic-novel-agent-janna-morishima/