graphic novels

Welcome to New Subscribers Plus Resources for All

~ Johnell DeWitt ~ Leave a comment

First, a big thank you to all those who opted into my newsletter through the Let’s Go!: A Kids Comics Studio Anthology. And a thank you to those of you who’ve been following me for a while.

This isn’t the post I intended to write, but I have two time sensitive opportunities I wanted to share.

The first is for kidlit graphic novel creators, or those who want to create graphic novels, or even anyone interested in marketing tips. Literary agent Janna Morishima is hosting a free masterclass tomorrow titled “How to Launch Your Graphic Novel” and today (Sept. 26) is the last day to sign up. Even if you miss this, she will be holding a in-depth course on the same topic, so follow her site for details. (Update, you can now access the full course at: https://kidscomicsunite.com/how-to-launch-your-graphic-novel/)

Art by Jade Vaughan for Kids Comics Unite

Second: The KidLitGN pitch event opens to agents, editors, and publishers in five days (Oct. 1). However, unagented and agented creators who have comics-style picture books, early/chapter, middle grade, or YA graphic novel projects can begin loading their pitches as soon as Sept. 28 at 8 a.m. The pitch window closes at 11:59 p.m. on Oct. 1.

Most of my original followers came from my picture book connections, so I want highlight the opportunity to pitch comics-style picture books (listed as Graphic PBs on the website) in the KidLitGN pitch event (think picture books with sequential art like Mr. Particular or Toys in Space).

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Behind the Scenes of “Runaway Train”

~ Johnell DeWitt ~ 1 Comment

Tech and time weren’t my friends this week, but I did manage to mostly edit a video that I’m excited to share because it shows the evolution process of the script for “Runaway Train,” my and Maggie Shang‘s collaboration for the Let’s Go!: A Kids Comics Anthology. But instead of having all the cool captions and corresponding pictures added to the video, I ran into tech issues that I couldn’t solve in time to tag team with Maggie’s post about her process.

So here’s the video with loads of info about how we started our collaboration, how the scripts changed over time, Maggie’s artistic decisions plus really valuable insights she learned along the way, my scripting decisions, and what I learned from the comic’s scripting process for this anthology project. For the time-limited among us, I’ve included time codes and supplementary graphics and info below. I hope you have as much fun watching this video as Maggie and I did making it.

Time Codes:

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One of the Most Rewarding Posts…

~ Johnell DeWitt ~ 1 Comment

Our Let’s Go!:A Kids Comics Studio Anthology is now 200% percent funded. It feels amazing to realize that two of my stories will be in print, thanks to the support of all the people who have backed our campaign. But even more thrilling to me is being able to share the success of our Kickstarter campaign with an organization I have long admired.

When we were setting up our campaign, we wanted to use our hard work and creativity to give back, so we chose two organizations for our “Community Tier.” One of them is Rising Star Outreach, a charity I have a connection with, and would like even more people to know about.

The founder’s story blew me away when I read about it several years ago. Becky Douglas lost her oldest daughter to a long-time battle with mental illness. When she discovered that her daughter had been donating to an orphan in India, Becky flew to the country to connect the dots. While she was there, she was shocked to see that so many of the beggars coming to her for help had leprosy, something she thought was a thing of the past. When she returned home, she wept, wishing that someone would do something to help, then decided that she would be that someone.

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Cover Reveal and Pre-Launch Info!

~ Johnell DeWitt ~ 2 Comments

We have a cover for our upcoming KCS Anthology. The very talented Elizabeth Perez designed it and wrote a great article about how she developed the idea, which I highly recommend checking out.

Cover by Eli Estrella Perez: https://kidscomicsunite.com/anthology/contributors/eli-estrella-perez/

Nicole Harwood also developed an idea for the cover and talks about her process here: https://nharwood124.wixsite.com/ohhhh-doodles/post/my-cover-design-journey

Nicole Harwood: https://nharwood124.wixsite.com/ohhhh-doodles/post/my-cover-design-journey

For an in-depth article on how the design team went about developing and choosing the cover, check out our KCS Anthology Blog.

We also have our pre-launch page on Kickstarter! You can click on the “Notify me on launch” button to stay informed.

More exciting news to come, including two interviews about the two stories I’ve been working on with two amazing illustrators, so stay tuned.

In the meantime, sign up for our newsletter: https://kidscomicsunite.com/anthology/newsletter/

Crafting Graphic Novels: A Writer’s POV

~ Johnell DeWitt ~ 2 Comments
Ian & Qwak: script by J. DeWitt

One of the most popular posts on my website relates to illustration notes for picture books. My first kidlit love was picture books, but after writing several picture book drafts that skewed longer and older but still needed art to tell the story, I knew graphic novels were a better format.

Writing picture books is a good lead into writing graphic novels, but there are differences. Collaborating with two illustrators on the Kids Comics Studio anthology has helped me better understand how to write comics-styled scripts.

“Runaway Train” is the short comic that Maggie Shang and I have collaborated on for the anthology.

Runaway Train: art by Maggie Shang

This script underwent several changes to fit it into the 8-page limit. I would write, Maggie would draw, and once we had the two together, we would find that the pacing of the art and the story weren’t fitting within the space constraints (a reality for many projects). We went through a few drafts until we were both comfortable with the outcome. Major props to Maggie for all her drafts.

My take-aways from this experience:

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How to Pick an Anthology Theme: Plus a Sneak Peak of My Short Comic Collab

~ Johnell DeWitt ~ Leave a comment
art by Gina McMillen

The KCS Anthology team is hard at work finishing our upcoming anthology. Our newsletter crew ran an article about how the editorial committee picked our theme. It’s chock full of tips on how to create a cohesive theme that’s also broad enough for each creator to have the freedom to be themselves. One other fun nugget in this article is a glimpse into my and Maggie Shang’s anthology collaboration called “Runaway Train.”

As you can see from Maggie’s incredible graphic, it’s going to be a visual treat. This specific panel won’t be in the final, but these two characters will be. Especially that phenomenal train.

The script for “Runaway Train” is a spin off of a graphic novel I’ve been working on. When I shared various ideas with Maggie, she liked this one, so I got to work creating a new and fresh script that would fit into eight pages.

Eight pages is hard, folks. This story wanted to be at least a couple pages bigger, but I wrote and rewrote and Maggie drew and redrew and we finally got our ideas into an eight-page story that we hope will inspire young and old.

Maggie’s art is superb and perfectly suited for this story. In fact, her magical style inspired how I developed the story. I wanted her incredible art to have as much room to shine while still trying to maintain the pacing, plot, and tell the story I hoped to tell. It’s been an exciting project.

Maggie and I will be doing a podcast interview in March with Story Comic and will have more reveals soon, but for now, I hope you enjoy this little peek into what’s coming up.

To see our updates, sign up for our anthology newsletter: https://kidscomicsunite.com/anthology/newsletter/

Advice from Agent Janna Morishima

~ Johnell DeWitt ~ 1 Comment

Happy New Year! What a better way to start it than hearing from graphic novel industry pro Janna Morishima on why she’s supporting a group of Kids Comics Studio members who are crowdfunding a middle grade graphic novel anthology. Parts one and two of the interview are broken into two articles on the #Kids Comics Studio Anthology Blog. Here’s a quote from part one:

MRK: I’ve been thinking about how you take such an interest in developing creators. What motivated you—as an agent— to decide to do a project to gather KCU Studio authors and artists to go down the self publishing route as opposed to something traditional?

JM: That’s a great question. I’m super excited to be working on a self-publishing project because although I think that traditional publishing is a valid way to go, it is getting increasingly competitive. It’s always been competitive but now it’s gotten even more competitive.

There are people whose work doesn’t fit into certain slots that the traditional publishing industry is looking for. Even if their work might eventually fit into traditional publishing, I think self-publishing is such an amazing way for people to get started and get their work out there! I am so excited to be giving it a try with everybody putting together this anthology.

I’m learning as much as everybody else is. I have a background that is very helpful I think because I know the whole traditional publishing process. There are a lot of parallels between traditional and self-publishing.

Part two is equally fascinating and shows a little cameo of Janna in an interview about the origins of Jeff Smith’s Bone graphic novels, which she worked on. You can see the full video here: https://www.youtube.com/watch?v=fXSBUX6GPsA

I hope you all have a great 2025!

To read all of first part of the interview between Maritza Ruiz-Kim and Janna, see here: https://kidscomicsunite.com/planting-seeds-for-a-comics-anthology-an-interview-with-kcu-founder-janna-morishima-part1/

To read all of part two: https://kidscomicsunite.com/planting-seeds-for-a-kids-comics-anthology-an-interview-with-janna-morishima/

And to subscribe to the KCS Anthology newsletter: https://kidscomicsunite.com/anthology/newsletter/

Let’s Go! An Anthology Beginning

~ Johnell DeWitt ~ 5 Comments

In a recent article for SLJ, Henry Herz asked “Why Anthologies?” Great question that I can now answer, having embarked on an adventure with 33 other graphic novel creators to produce a middle grade, crowdfunded graphic novel.

Why did I sign up to be part of this? Well, I’m part of Kids Comics Studio, a membership program of Kids Comics Unite (KCU). When Janna Morishima, a literary agent and owner of KCU, proposed the idea, my first thought was “how are we going to pull this off?” Followed by, “I’ve got to see how this works.”

So, I signed up and it has been a wild ride. Or should I say wild “journey.” That, after all, is the unifying theme for our anthology.

Aside from my curiosity about how it would all work, I was excited to learn how to crowdfund, and even more excited to work with an illustrator. I’m an author-only, and alas, lack the skills to draw the images I see in my own head, so I was very excited to work with an artist. Watching an artist translate my words into their own visual version has been so fun and amazing, which I’ll be writing more about soon.

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Three Amazing Opportunities for Graphic Novel Creators

~ Johnell DeWitt ~ Leave a comment

KidLitGN’s pitch event opened last night for loading pitches and this morning for agents, editors, and publishers to view and select pitches. GN creators still have until Oct. 3 at 8 pm EDT to load pitches. And agents, editors, and publishers can view pitches until Oct. 31 at 8 pm EDT.

See kidlitgn.com for details.

Also on KidLitGN’s blog, is a comprehensive Q&A from literary agent Janna Morishima, where she mentions the opportunity to join Kids Comics Studio–the membership part of Kids Comics Unite. The latter is free and open for joining year round. Kids Comics Studio, however, opens for new members at select times of the year (it’s open for a few more weeks) and has a monthly or yearly charge. Kids Comics Studio offers weekly workshops, critique and accountability sessions, networking with other graphic novel creators and a whole host of opportunities you won’t find anywhere else (see here for more details). I’ve been a member of Kids Comics Studio and have benefited from the community’s knowledge in countless ways, one of which leads into the third opportunity…

Some Kids Comics Studio members are putting together an anthology that we will be crowdfunding in April 2025. We’ve been hard at work coming up with a theme, planning our design, marketing, and of course, creating our comics. I’m collaborating with two amazing illustrators on two projects, which I’m hoping to share with you in the months ahead. And, we are rolling out our newsletter, where GN creators and other interested parties can join our journey through this process and learn what we have learned as we’ve collaborated to create this graphic novel. You can sign up for the newsletter at this link: https://bit.ly/kcu-studio-anthology

So there you have it, three opportunities to dive into the graphic novel creator’s world, KidLitGN’s pitch event, Kids Comics Studio, and the Kids Comics Studio Anthology newsletter.

You can access Janna’s amazing article here: https://kidlitgn.com/2024/10/02/what-are-agents-looking-for-a-qa-with-graphic-novel-agent-janna-morishima/

Where’s Waldo?

~ Johnell DeWitt ~ 4 Comments

I’ve disappeared these past two years, Waldo-like, into the landscape of boxes, paperwork, and the preparations of moving, changing jobs, and launching a child into the world. My time on this site has suffered. But I’ve been restless with all the changes and challenges of the past two years to get back into posting here and writing more in general. What writing time I have had has been spent revising stories that I haven’t yet polished to my satisfaction.

One is a historical fiction, middle grade novel that I started a lifetime ago. I’ve spent years researching it, and more years weaving my heart into it. It’s a tale with elements from my childhood and adulthood mixed with historical events, some of which I lived (yikes, it’s hard to think of one’s life as history already), so it takes an emotional toll to relive and honestly write about events that directly impacted me, but I’m ready to tackle it again.

Peel Castle, Isle of Man

I’ve had a middle grade, graphic novel script on the back burner as well, that’s itching to get out of me. It’s a Scorpio Races/Spirited Away mosh of a fantasy that’s taken me down a genealogical rabbit hole and inspired me to visit places where my ancestors lived and told stories of their own. It’s funny how stories that won’t let you go can evolve. This story started off as a picture book idea that I rewrote a thousand ways, until I realized it needed more than 32 pages to thrive. I tried writing it as a middle grade novel, but it’s always begged to be told in pictures, which spurred my interest in writing graphic novels. Once I got into writing graphic novels, which I already loved reading, I couldn’t stop. 

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