author interview

One of the most popular posts on my website relates to illustration notes for picture books. My first kidlit love was picture books, but after writing several picture book drafts that skewed longer and older but still needed art to tell the story, I knew graphic novels were a better format.

Writing picture books is a good lead into writing graphic novels, but there are differences. Collaborating with two illustrators on the Kids Comics Studio anthology has helped me better understand how to write comics-styled scripts.

“Runaway Train” is the short comic that Maggie Shang and I have collaborated on for the anthology.

This script underwent several changes to fit it into the 8-page limit. I would write, Maggie would draw, and once we had the two together, we would find that the pacing of the art and the story weren’t fitting within the space constraints (a reality for many projects). We went through a few drafts until we were both comfortable with the outcome. Major props to Maggie for all her drafts.

My take-aways from this experience:

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PJ McIlvaine has been published in The New York Times and Newsday. PJ is also a regular contributor for the Children’s Book Insider newsletter, and a co-host of #PBPitch, a Twitter pitch party for picture book creators.

PJ has written across ages and genres, including a screenplay for Showtime which became the movie My Horrible Year. Her picture book, Dragon Roar, releases on Oct. 19, 2021 through MacLaren-Cochrane Publishing, Inc, which specializes in books for readers with dyslexia.

You’ve had quite a career in writing, including writing a movie for Showtime (which earned a daytime Emmy nomination, very cool). What has that been like and why did you switch to kidlit?

Well, it’s like being on a roller coaster without a harness or safety belt. Sometimes you have to hang on and hope when the rides over, you haven’t broken every bone in your body. I consider myself a Jill of all genres when it comes to writing: I started out writing short stories, then poems, song lyrics, then eventually novels and screenplays but nothing in the kid-lit arena. Then my mother died (I was her caretaker for years), and I was now a grandma. I read picture books to the babies, and I realized hmmm, this was something I could write. So then I immersed myself fully in picture books, and soon graduated to middle grade and young adult. I have a good feel for kid lit—I cut my teeth on Nancy Drew and Trixie Belden growing up. So given where I was in my life, it was a natural evolution.

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