We have a cover for our upcoming KCS Anthology. The very talented Elizabeth Perez designed it and wrote a great article about how she developed the idea, which I highly recommend checking out.
One of the most popular posts on my website relates to illustration notes for picture books. My first kidlit love was picture books, but after writing several picture book drafts that skewed longer and older but still needed art to tell the story, I knew graphic novels were a better format.
Writing picture books is a good lead into writing graphic novels, but there are differences. Collaborating with two illustrators on the Kids Comics Studio anthology has helped me better understand how to write comics-styled scripts.
“Runaway Train” is the short comic that Maggie Shang and I have collaborated on for the anthology.
This script underwent several changes to fit it into the 8-page limit. I would write, Maggie would draw, and once we had the two together, we would find that the pacing of the art and the story weren’t fitting within the space constraints (a reality for many projects). We went through a few drafts until we were both comfortable with the outcome. Major props to Maggie for all her drafts.
The KCS Anthology team is hard at work finishing our upcoming anthology. Our newsletter crew ran an article about how the editorial committee picked our theme. It’s chock full of tips on how to create a cohesive theme that’s also broad enough for each creator to have the freedom to be themselves. One other fun nugget in this article is a glimpse into my and Maggie Shang’s anthology collaboration called “Runaway Train.”
As you can see from Maggie’s incredible graphic, it’s going to be a visual treat. This specific panel won’t be in the final, but these two characters will be. Especially that phenomenal train.
The script for “Runaway Train” is a spin off of a graphic novel I’ve been working on. When I shared various ideas with Maggie, she liked this one, so I got to work creating a new and fresh script that would fit into eight pages.
Eight pages is hard, folks. This story wanted to be at least a couple pages bigger, but I wrote and rewrote and Maggie drew and redrew and we finally got our ideas into an eight-page story that we hope will inspire young and old.
Maggie’s art is superb and perfectly suited for this story. In fact, her magical style inspired how I developed the story. I wanted her incredible art to have as much room to shine while still trying to maintain the pacing, plot, and tell the story I hoped to tell. It’s been an exciting project.
Maggie and I will be doing a podcast interview in March with Story Comic and will have more reveals soon, but for now, I hope you enjoy this little peek into what’s coming up.
MRK:I’ve been thinking about how you take such an interest in developing creators. What motivated you—as an agent— to decide to do a project to gather KCU Studio authors and artists to go down the self publishing route as opposed to something traditional?
JM: That’s a great question. I’m super excited to be working on a self-publishing project because although I think that traditional publishing is a valid way to go, it is getting increasingly competitive. It’s always been competitive but now it’s gotten even more competitive.
There are people whose work doesn’t fit into certain slots that the traditional publishing industry is looking for. Even if their work might eventually fit into traditional publishing, I think self-publishing is such an amazing way for people to get started and get their work out there! I am so excited to be giving it a try with everybody putting together this anthology.
I’m learning as much as everybody else is. I have a background that is very helpful I think because I know the whole traditional publishing process. There are a lot of parallels between traditional and self-publishing.
In a recent article for SLJ, Henry Herz asked “Why Anthologies?” Great question that I can now answer, having embarked on an adventure with 33 other graphic novel creators to produce a middle grade, crowdfunded graphic novel.
So, I signed up and it has been a wild ride. Or should I say wild “journey.” That, after all, is the unifying theme for our anthology.
Aside from my curiosity about how it would all work, I was excited to learn how to crowdfund, and even more excited to work with an illustrator. I’m an author-only, and alas, lack the skills to draw the images I see in my own head, so I was very excited to work with an artist. Watching an artist translate my words into their own visual version has been so fun and amazing, which I’ll be writing more about soon.
I’ve been working on a graphic novel anthology with other members of Janna Morishima’s Kids Comics United Studio group. It’s been an amazing experience so far to collaborate with two amazing illustrators on two 8-page story entries.
I can’t wait to tell you all more about these collaborations as we continue to work on them, but for now, I can tell you about a cool Halloween-themed launch with Halloween printables for any trick-or-treaters that may need allergy-free treats.
We even have a treat for authors and illustrators–a link to subscribe to our newsletter, where we’ll share tips and tricks on creating anthologies, short-form comics, crowdfunding, and lots of other great information to help you all benefit from what we are learning.
For now, check out our landing page for all these goodies. You can also follow our journey on X, BlueSky, and Instagram: @kscanthology.
Happy Halloween! Stay tuned for lots more about what I’m doing for this anthology. It’s going to be a fun journey.